The new Iraser 4 Sigma is now being delivered. Many analog fans have been waiting for this, an Iraser with our top information Sigma and a large magnet that can easily and quickly edit an LP. The test reports for the Iraser 1, 2 and 3 already showed the diverse possibilities of the Iraser technology. Test report John of Poland HiFi.NL. His conclusion: The conclusion is clear: In my experience, the Iraser Stick AOI from Vortex Hifi works perfectly with optical discs and is simply spectacular with LPs....

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Be right in the thick of it - and not just there In his latest report, the legalist Frank Wacker writes about the GeoPath Optimizer from Vortex HiFi: Conclusion: If you want to hear and feel music in all its emotionality at the time of recording, the VORTEX Hifi GeoPath could be one for you represent a quantum leap similar to that for me. Without it, it's no longer possible for me, after all I want to be right in the middle of it - and not just be part of it. Read the original online here Or read ...

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Norbert Maurer speaks about his interference theory with Frank Wacker in HiFi-Today Here is the link to the original interview. You can also read the interview from 23.09.2021 here. Frank Wacker: Mr. Maurer, instead of optimizing the hi-fi system, VORTEX Hifi is about de-stressing people for a natural hearing experience. An unusual, albeit extremely successful, path - this is shown by the very intensive experience I have gathered over the past three years and that of many other VORTEX Hifi users. Tell us how you came up with it….

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Quote Marco Kolks: How should you put it into words when the sound of your own system changes so clearly for the better without changing electronic components? Marco Kolks from the listening experience describes in his 13-page report about the Vortex HiFi GeoPath what geopathogenic interference zones are and how Vortex HiFi solves the resulting sound problem with the GeoPath Optimizers. As the first hi-fi legalist to write an article, he deals with the phenomenon of geopathogenic zones and their sonic ...

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Newly discovered sound potential The journalist Frank Wacker describes his personal journey into the Vortex HiFi world and how he has opened up a completely new sound potential for himself. He describes how the Vortex HiFi steps differ from the previous ones in his 25-year HiFi career. He comes to the conclusion: Quote: After almost three years of intensive experience with the products from VORTEX HIFI, I am convinced that it is not the system and the room that make the music, but above all our head….

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Quote: It could happen with him to rediscover his love for music. Marco Kolks describes in the current issue of Hörerlebnis: Why there is the Vortex HiFi - HFO set, i.e. which problem only we can solve with the help of the HFO set. He describes how we solve the problem and what extraordinary enhancement of the musical experience is achieved by the HFO-Sigma Set. The Vortex HiFi HFO - Sigma Set enables a completely new emotional experience of music that is different ...

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Quote: "The Iraser Stick is one of the best accessories I've come across in thirty years." The journalist Johannes von Polen of the hi-fi portal HiFi-NL, based in the Netherlands, could hardly believe the effects of the Vortex HiFi Iraser Stik on his hi-fi system. His conclusion: The conclusion is clear: In my experience, the Iraser Stick AOI from Vortex Hifi works perfectly with optical discs and simply spectacularly with LPs. And that for 99 euros…. The fact that sometimes I ...

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The developer and founder of Vortex HiFi, Norbert Maurer, explains in this eight-part series why energetic hi-fi accessories are indispensable in today's environment. Together with Ed Doggen, he examines the various domestic influencing factors on the human organism, which influence well-being and thus change the perception of music. Norbert Maurer shows how the hearing system is disturbed by environmental influences and uses electroacoustic examples as well as psychoacoustic facts to explain that many sound changes, which are always attributed to electroacoustic effects, are due to ...

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