The listening experience interview on the Vortex HiFi diamond standard

The listening experience interview on the Vortex HiFi diamond standard

Norbert Maurer, developer of the Vortex HiFi products and head of the company

Do we have another question?

Under the heading: We still have a question - the magazine for High Fidelity Hörerlebnis conducted an interview with Norbert Maurer about the new Vortex HiFi interference suppression devices in the diamond standard. You can read the entire interview here. Have fun.

Do we have another question?

 HE: In our previous tests with Vortex HiFi cables, Ground Optimizer or the Power Optimizer line filters, we could hear clear differences. You explained these tonal differences with the influence of electric and magnetic fields on our nervous system. They used environmental medicine and building biology arguments to explain the influences. The influence of these fields on humans has been confirmed in research for years. In our test of your diamond standard interference suppression products, we also heard significant differences compared to your previous products, which, according to your own statements, do not produce any field changes compared to the previous products. The building biology and environmental medicine principles you have mentioned so far cannot be responsible for the tonal changes. What is the difference between your previous interference suppression products and your new top standard?

NM: In fact, we have to keep the different levels of our work clearly apart, as we have a positive effect on people and thus on the perception of music on different levels.

HE: What do you mean by the different levels that affect the perception of music?

NM: Vortex HiFi products take a holistic approach. Basically, the sound benefit from our products lies in the fact that the processing of the sound leads to a sensation in people and then to a feeling that can best be described as undisturbed and natural. Listening to music is about feelings, emotions. The music has to touch us, otherwise I won't hear any music. But how do feelings arise from sound waves? It starts at the level that Dr. Dietrich Klinghardt calls the physical level, with a movement of the basilar membrane in connection with the tectorial membrane, which exerts pressure via a shear movement on the hair cells in the inner ear and thus sends electrical impulses to the brain. That is then the second level. This leads to a perception (thought) and an interpretation, that is the third level. From here the stimulus response goes via the limbic-hypothalamic axis to the autonomic nervous system, where the neurotransmitters are excreted in the periphery (in the blood vessels), which then reach and excite the brain and all other body tissues via the bloodstream. Only then does the feeling arise.

HE: How do your products influence these levels?

NM: Each level of processing the sound signals up to the feeling has a physically different communication system. When interference occurs in these communication systems, we perceive music to be less natural. So we have to make corrections at the respective levels. The sound, i.e. the mechanical stimulus, chemically changes an action potential. This is the slowest human communication concept. The field-based stimulus transmission of the nerve cells via longitudinal standing waves is faster. The fastest concept is that of the light-based communication of biophotons, as described by Professor Dr. Fritz-Albert Popp describes. Each and every one of these levels is fundamental to what we perceive and feel. We now have specific techniques for the respective processing concepts.

HE: It is understandable that your building biology, field-based technologies can influence the nerve impulses. But what does the information do and how do you inform a semi-precious stone such as an obsidian?

NM: I do not want to explain the second part of the question of how we inform here because we have developed our own technology here that has nothing to do with the usual techniques in quantum medicine or homeopathy.

HE: Why did you develop your own technologies in the first place?

NM: The methods I know from medicine, i.e. quantum medicine and homeopathic medicine, are not stable enough in my opinion, i.e. not durable enough under the practical conditions of everyday life in the hi-fi area. So they were out of the question for me. Take a shaken homeopathic preparation and expose it to a WiFi antenna or other RF radiation. Then the information is damaged and the preparation works worse or no longer works at all. Ask therapists and they will confirm this for you. In quantum medicine, Tesla coils are used to vibrate the information through the radiation of the specimen. Therapists give you preparations made in this way, wrapped in aluminum foil, so that they can withstand today's environment (RF radiation, etc.). We want to suppress interference from cell phones, tablets or WLAN antennas and magnets. If we were to use medical procedures, our products would be ineffective or ineffective within a very short time. So we went our own way here. Take the 10D chips, which are now up to 2 years old, from a WLAN antenna or a DECT telephone and you will see that they still work perfectly. These are my requirements - even for our simplest products.

The second, at least as important key technology for a particularly intensive effect of our products is our activation. In medicine, for example in homeopathy, the preparation is used. It is located in the body and can work there. If, for example, I want to suppress the magnetic field of a loudspeaker or want to access the switch without opening it, the techniques used in medicine fail. I cannot place the interference suppression product where I have to take the information. In quantum medicine (e.g. advanced medical systems, bioresonance processes) a magnetic field is also used as a carrier. But that is also unthinkable in hi-fi, since we have to reckon with signal interference. For our products to be highly efficient, we needed a carrier field that does not influence signals, but carries the information far into the devices, i.e. covers wide areas. Our active field can do that. It is very directional and develops bipolarly from an object. With Vortex HiFi, the active field is in our 2nd generation, which means that it now emerges from two sides compared to the 1st generation and is about 1 times more effective than the 100st generation. Most of our ideas and concepts come from building biology and medicine, but are specially adapted to the conditions of hi-fi technologies and to listening to music. We don't sell medical products, we just have more fun listening to music.

HE: What is the information doing now?

NM: To explain this I would like to sketch a model of the five levels of being by Klinghardt. You can see this in detail in the book by Dr. Read Dietrich Klinghardt (Handbook of Mental Field Techniques: Pictures, Tapping Acupressure and Healing Phrases in Practice (German Edition)). Klinghardt has run one of the largest pain clinics in the USA with great success and has achieved many practical successes. He developed alternative techniques, which he summarized as metal field techniques (MFT). I had the opportunity to apply my technologies to a multiple sclerosis patient with a therapist according to Klinghardt and to gain experience, in particular with the effect of information on their well-being. Nervous patients are like a microscope and react much more intensely to information and energies when they act on your body.

Like the latest findings in quantum physics and mathematics, the Klinghardt model assumes that we exist in different dimensions at the same time. This is also the case in Burkhard Heim's quantum field theory, who defines 12 dimensions and states that there are mandatory information dimensions that influence the other dimensions. In the Klinghardt model, which refers to the human body, there is the physical body. This means the material basis. That is the first level.

The second level is the energy field. Here are forces that, from a physical point of view, basically have the ability to do work: such as gravitation, electromagnetic force, as well as strong and weak interaction. This energy level penetrates the physical level, but goes beyond it and can also be measured outside of the physical body. At this level, we feel the effects of electrosmog from outside on our physical body, as described in environmental medicine and building biology. But here we also have human influences on the environment, such as other people. This becomes visible through Kirlian photography. Or simply when you bring an AM radio close to a person and the noise increases. Klinghardt also sees the elimination of electrosmog as an important therapeutic measure and recommends electricity filters that filter a spectrum similar to that of our filters.

The third level is what Klinghardt calls the mental field. Klinghardt says:

“The mental body or the mental field are our information carriers. They enable us to call up memories, process and store new sensory impressions, and interpret perceptions. It is the level of the ego. Our thoughts are the "bits" of our mind. The mental body is created by the spatial structure and the physical properties of the biophoton field. ”(Klinghardt, Dietrich, Handbuch der Mentalfeld-Technischen: Images, tapping acupressure and healing sentences in practice.)

In his treatment matrix for this third level he specifies, among other things, homeopathy (information), since information affects the first and second levels here. This is the level of our interference suppression products that affect the perception of music, the feeling when we listen to music. According to Klinghardt, however, it is also the place where memories are stored and new sensory impressions are processed and stored. That is now elementary. As everyone who knows my ideas about the hearing process knows that we don't hear what is there acoustically (that would be a catastrophic sound), but rather have an extremely corrected experience that is fed by ideas and memories. Therefore I am convinced that the perception of music can also be massively changed through the third level. This also means that the instruments feel much more correct and concrete to the listener. In this way, information can have an extreme influence on the musical experience in every dimension. The last two levels, the intuitive field (or level) and the level of the mind, I would like to mention here for the sake of completeness, but our products do not work on them.

HE: How did you come up with the Klinghardt model?

NM: As already mentioned, I had incredible experiences with a Klinghardt therapist for a multiple sclerosis patient. I was able to notice reactions in her that also occur in a different form when listening to music. So this patient coped differently with different information. I had processed 30mm obsidian discs with three different pieces of information and had experimented with them in the presence of the therapist and of course with the patient's explanation and consent. The severe initial deterioration was noticeable. In the beginning, the patient was no longer able to stand independently in any of the variants. Multiple sclerosis sufferers have a major problem developing a feeling for the underground. If they can still walk, the corridor is shaky. After the initial deterioration, not only did her gait visibly improve, but she also spontaneously stated that she could see much better than before. This is also a phenomenon: multiple sclerosis patients have a kind of tunnel vision and their vision is more blurred. Here she spoke of a smooth “1” in a school grading system. Even when she got palpitations during the first worsening, I could feel a similar phenomenon two meters away and so strongly that I told her on the head, without you mentioning it, that I had palpitations since she put the round in the Hand held. The phenomenon corresponds to that when listening to music, that as soon as you put an informed obsidian in a third person's pocket or fasten it under his chair, everyone else in the room can also be influenced and consequently hear a different sound. The energy and mental fields of the people in the room influence each other according to the Klinghardt model. Klinghardt expressly states that disturbances in the mental field do not have to be caused by oneself, but can lie in another person. Kinesiological examinations also showed the enormous influence of information on the patient. Since then, kinesiology has been a constant for checking the products in my development. An interesting introduction is the "Practice book analytical kinesiology: researching the causes - optimizing the treatment - with the muscle test by Dr. med. Christa Keding.

HE:   We were able to determine for ourselves that if another person wears an interference suppression product on their body, the sound changes. We already reported on this with the New Living bracelet from Phonosophy. But what is different about diamond technology from previous products?

NM: It is basically not a new technology. In the more than four years of development between the previous all-in-one products and the diamond products, my perspective has expanded significantly with new ideas. This led to much more complex products with well over 50 pieces of information, as opposed to two pieces of information in the case of all-in-one. Some effects are unclear solely with Konstantin Meyl's theory, with whom I have mainly worked so far. Meyl's clear wave theory with potential vortices helped to better understand a lot in the field of fields, antenna effects and resonance phenomena of cables and devices or house installations. This led to products such as cables with floating or earthed shields, the Ground Optimizer, which reduces up to 98 percent of the fields of devices, or line filters with biologically optimized bandwidth. Meyl's model has its strengths in practice and development on the energy level, i.e. on the second level according to Klinghardt. The Klinghardt Model and the theories on which it is based create transparency on the third level, on which we work with information. The biophoton model by Prof. Dr. Fritz-Albert Popp, who is an integral part of this system, also explains why we achieve enormous effects when we inform light sources in the room or even people. Instead of developing technical devices that transmit information to the room and thus to the music listener, it is far more efficient to use another music listener as a transmitter. That's why I always give away stress relief wristbands from Vortex HiFi at my workshops. This always leads to goose bumps under otherwise extremely difficult conditions. I am convinced that the diamond standard is the conclusion of my many years of research and development on people.

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You can read the entire test here:

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